In the first phase, a design studio was conducted with young designers to develop two collections—product and spatial—using leftover textiles and carpets. Physical experimentation and research into the archive’s 30,000 patterns informed the designs, which reinterpret fashion heritage into innovative architectural and interior applications.
The second phase, an exhibition at Milan Design Week, showcases these collections and introduces a spatial installation that transforms fashion patterns into immersive three-dimensional experiences. Visitors are invited to explore how outdated materials can be reimagined into entirely new forms.
The third phase focuses on scaling the concept into a methodology for repurposing various materials, with an emphasis on sustainable production methods. This phase aims to minimise material use while maximising design potential, offering a new perspective on circularity in design.